Oct. 3, 2022
CMF Welcomes Dr. Julia Chan
The Department of Communication, Media and Film is delighted to welcome Dr. Julia Chan to U91快色! Dr. Chan holds a PhD in Cultural Studies from Queen鈥檚 University where her doctoral research explored the connections between image-based sexual abuse, surveillance, and cinematic/visual cultures. More recently, she was a Mitacs Postdoctoral Visitor in Cinema and Media Arts at York University and the Managing Editor of the journal PUBLIC: Art / Culture / Ideas. Last year, she was the inaugural Postdoctoral Fellow at Carleton University鈥檚 Institute of Criminology and Criminal Justice.
Dr. Chan鈥檚 scholarly work has appeared in the journals Porn Studies and Media Industries, and the edited collection Screening #MeToo: Rape Culture in Hollywood. In addition to her academic work, Dr. Chan is also a writer and an artist. Her fiction has appeared in magazines such as Joyland, subTerrain, Cosmonauts Avenue, and LitroNY. As a screenwriter, her short film In Shadow screened at the Sundance Film Festival and won Best Short Screenplay at the International Cherokee Film Festival. Dr. Chan鈥檚 photography and video work have been exhibited at the Tett Centre and Queen鈥檚 University.
We caught up with Dr. Chan earlier this month and asked her some questions about her work and what she looks forward to in joining CMF.
What topics are the focus of your current research, and why do you feel that it is important to explore these topics?
In broad terms, my research is concerned with how racialized gender, sexual(ized) violence/crime, pleasure, and surveillance/digital media technologies converge. One of my current projects examines the surveilled subject in 鈥渄esktop鈥 films. (Desktop films are films whose mise-en-sc猫ne are computer desktops, or other media screens like cellphones. Probably the most famous is the Unfriended series.) This is a relatively new type of film and there鈥檚 still not a lot of literature on the topic yet, so there鈥檚 plenty to explore. I think it鈥檚 important because films like these play with cinematic convention and invent new ways of telling stories, so I鈥檓 curious to understand what they鈥檙e saying about the relationship between technology and racialized/gendered subjectivities. Are they saying new things? Or are they saying the same old things? I鈥檓 also currently working on research related to surveillance and pleasure with St茅fy McKnight at Carleton University. To that end, we鈥檙e guest-editing a themed issue of the journal Surveillance & Society that will be released in 2023, and we鈥檙e also coming to the end of a speakers series we organized over 2021-2022, both of which explore the relationship between surveillance and pleasure. Even though things like play and video games have been explored in surveillance studies, there hasn鈥檛 been much attention paid to the question of pleasure. And while I鈥檓 interested in the surveillance of pleasure (such as the criminalization of sex, or surveillant entertainment), what is even more interesting to me is the potential for surveillance practices and technologies to be used in pleasurably resistant ways鈥攅specially by those groups who have been historically targeted by surveillance.
In what ways do your artistic endeavors relate to, or support your academic work?
Cam Hunters is the main creative project that I鈥檝e been working on these days. It鈥檚 a collaborative research-creation performance project (with St茅fy McKnight) that interrogates the ways in which surveillance manifests in our everyday lives. Essentially, it explores surveillance culture. We鈥檝e done a number of things through Cam Hunters, such as the pleasure thread I鈥檝e just mentioned, plus some satirical videos and a podcast. The idea of becoming a 鈥渃am hunter鈥 grew out of my doctoral research, which was concerned with media and cultural discourses around image-based sexual abuse, which includes phenomena like so-called 鈥渞evenge porn鈥 or 鈥渃reepshots.鈥 I kept coming across blogs and news articles about 鈥渉ow to protect yourself鈥 from hidden cameras in vacation rentals and I thought, 鈥渃ould you imagine starting a business that sweeps people鈥檚 hotel rooms and vacation rentals for hidden cameras?鈥 (As it turns out, those businesses do exist!) And that鈥檚 how Cam Hunters came to be鈥攚e started by assuming these fictional 鈥渃am hunter鈥 personae. On the one hand, Cam Hunters uses performance and media art to disrupt surveillance culture, and in that sense it is the creative arm of my academic work in surveillance studies. But on the other, I think that its more absurd aspects can also provide a humourous way to deal with broader anxieties about surveillance.
As a new faculty member in CMF, what do you look forward to?
There鈥檚 so much to look forward to! I鈥檓 very excited to join the department, to get to know everyone and their interests, to build new collaborations, and to become a useful contributing member of both the university and larger city.
Dr. Chan is teaching COMS 503: Spectacle and Media Culture this fall. She is giving a presentation of her research, on Wednesday, October 5, 2022, 3-4 p.m.